Haking by the 80’s had produced a series of increasing complex 35mm compacts. The MW series of camera added motorwind capability and the MW35E is one of the best examples of these pre-autofocus Point & Shooters. And despite some serious limitations, it can be a capable beast (during a recent holiday in Skegness it outshot a Olympus XA2 !) Continue reading Halina MW 35E Review : 80’s motorised flashy fun→
This 120 roll film camera is a bit of an oddity for Haking a company with a TLR (Halina A1) and a smattering of pseudo TLRs (e.g. the Halina Viceroy. But it perhaps serves as model for how Haking cameras were to become in the 35mm age and the styling is more like a 35mm than 120 film camera of the era.
This is a bit of an unusual B&W film in that it is meant to be developed in the same way that colour negative film (C41) at any photo lab. This is handy if you want to try out shooting B&W as you can have your films processed cheaply and anywhere. Continue reading Kodak BW400CN Review : The Long Goodbye→
This little oddity (here wearing it’s Revue 35FC guise) has become labelled as the Hong Kong Lomo due to its LC-A like styling. Infact both cameras are arguable different takes on the Cosina CX-2 and are very different. The Micro 35 is probably Haking’s best styled compact and certainly is a lot more interesting to look at than some of the brick like beasts of its era. Continue reading Halina Micro 35 Review : Hong Kong not so Phooey→
Okay I suspect the dog and his dinner has blogged about this camera but it feels like a right of passage for a camera blog and what the heck I love it.
This little design classic arrived in the Mid 60’s and set the standard for Point & Shoot (P&S) camera right into the 80s. The classic styling is married to an excellent sharp Zuiko lens and a simple but effective metering system. That meter is driven by the selenium array (the glass bubbly bit) around the lens. This means no batteries ever required.