After a run of not so cheap cameras, I thought I’d better get back to basics with another Poundland challenge 2019 camera. In brief that challenge set out to find what you could buy for a quid and although we’ve had several high end cameras including the MZ-5 SLR, I’d rightly assumed that we’d be faced with several fixed focus plastic numbers.
But this no frill plastic flash camera doesn’t hail from Haking, Hanimex or Concord. This one’s a Minolta and it’s not good.
This is probably the weirdest camera I own. I wasn’t too sure if I if I should provide a breath sample with it or take photos. Welcome to the Minolta Zoom 110 SLR. Not only is it one of the weirdest looking in the world. But it’s also a fully functioning SLR that takes 110 film and arguably if not a bridge camera then sets the path for them.
Most film photographers dream of owning a Leica, if even just for the Kudos. Social services got a bit upset when I tried to swap one of the weans for a mint M6 (with lens I hasten to add). But there are a few routes to owning a Leica for less financial pain. One is where this Minolta kinda comes in if you get a working ‘un Continue reading Leica Likely ? Minolta Riva/Freedom Zoom 90c review→
Minolta made some of the most iconic cameras of the 20th Century including the fantastic Hi-matic series that even made it into space. But is this fixed focal length AF compact from the 80’s (aka as the Freedom 200 in the US) launch ready or space junk.
Minolta’s Hi-matic series of compact cameras span more than 20 years of production and were usually rangefinders such as the well-regarded Hi-matic 7sII. However the series also gave rise to a few Point & Shoot (P&S) most notably the Hi-matic G launched in 1974.
