Kodak’s British arm was more than a mere sales outlet for George Eastman’s company. The company made its own cameras, not just British versions of the parent company. The Colorsnap cameras are to my knowledge, the only 35mm cameras the UK branch solely made. But are they worth your time ?
Continue reading A Very British Affair – Kodak Colorsnap 35 ReviewTag Archives: 135
Festive Overclocking – Pushing Kentmere Pan 400 to 1600ISO
It seems like a distant memory now but back at Christmas there was no 2m social avoidance and lockdown. I was up in Edinburgh for shopping and the Christmas market. I’d taken along my then recent Nikon FE10. But as light dropped mid afternoon I decided to push some film. That film was Kentmere Pan 400.
Continue reading Festive Overclocking – Pushing Kentmere Pan 400 to 1600ISOThe Poor Man’s F3 ? – The Overlooked Nikon F-301 or N2000
I’ve come across a few more basic cameras that pick up a mythic tag comparing them to a more esteemed classic. But the Nikon F-301 (or in my case weirdly the Americanised N2000) is perhaps the most bizarre of the bunch. That’s because some folks do compare it to the legend that is the F3
Whilst it’s no F3, if you’re on a budget this might be good compromise.
Continue reading The Poor Man’s F3 ? – The Overlooked Nikon F-301 or N2000Filthy Beast – the VUWS/Superheadz Wide and Slim Re-Appraised after 1000+ Shots
Too often I have to do a review based on just a couple of rolls. But some cameras hang a round longer and I thought it might be worth revisiting those. We begin with the my Superheadz Wide and Slim, a clone of the Vivitar Wide and Slim (VUWS). This is often seen as one of the best Lo-Fi cameras still made
But does it deserve that ? And why you should by a a Black one ?
Continue reading Filthy Beast – the VUWS/Superheadz Wide and Slim Re-Appraised after 1000+ Shots