Ricoh developed a bit of a reputation for good SLR bodies and lenses using the M42 & Pentax K Mount. The company still makes K mount dSLR under the Pentax brand. But weirdly their first SLR the Singlex wasn’t developed by them. In fact it is basically a rebranded Nikon. But a Nikon that wasn’t even made by Nikon.
Curious ? Read on.
Continue reading The Ricoh that’s a Nikon made by Mamiya – Welcome to the Ricoh Singlex
Launched in 1996 few cameras get the goat of some ‘serious’ Nikon users as this and its sibling the FM10. The major sin is they aren’t made by Nikon. Even wikipedia describes both as “not a true member of the Nikon compact F-series SLRs,”. But does that make them bad cameras ?
Of course things are not helped by that lens…
Continue reading It’s not a real Nikon but … – The Nikon FE10 Overview
Nikon are one of the Key players in SLR design and manufacture. And I’d argue all the models they’ve produced using their F mount are useable cameras. But there are better cameras amongst the pack. The F-601M although arguably the most technologically advanced manual focus SLR Nikon ever made is not one of those.
It is perhaps the most pointless Nikon ever made
Continue reading Just pointless – The Nikon F-601m (N6000) Review
I’ve come across a few more basic cameras that pick up a mythic tag comparing them to a more esteemed classic. But the Nikon F-301 (or in my case weirdly the Americanised N2000) is perhaps the most bizarre of the bunch. That’s because some folks do compare it to the legend that is the F3
Whilst it’s no F3, if you’re on a budget this might be good compromise.
Continue reading The Poor Man’s F3 ? – The Overlooked Nikon F-301 or N2000
For the canny photographer, there have always been bargain cameras that are nearly as good as more expensive classic. But one camera recently I’ve noticed has been had that status elevated above that. Enter the Olympus AF-10 Super (aka infinity Jr) , described by some as “Just like a mju“
But does this more humble camera measure up to arguably the prototype for the elite compacts that would follow ?
Continue reading Just Like a mju ? – The Olympus AF-10 Super Review
Although Olympus dominated the Half Frame market, they didn’t have a free run. Many a Japanese rival producing their take on the format. But only one is arguably one of the most beautiful cameras ever made. And that camera was the only half frame compact of that era to be copied by the soviets
But what made the Soviets copy her ? And why has it partially usurped my PEN EE-2 from being my favourite half frame ?
Continue reading A Petite Love Affair – Konica EYE Review
After a run of not so cheap cameras, I thought I’d better get back to basics with another Poundland challenge 2019 camera. In brief that challenge set out to find what you could buy for a quid and although we’ve had several high end cameras including the MZ-5 SLR, I’d rightly assumed that we’d be faced with several fixed focus plastic numbers.
But this no frill plastic flash camera doesn’t hail from Haking, Hanimex or Concord. This one’s a Minolta and it’s not good.
Continue reading You Get What You Pay for – Minolta F25 review
I’m not accustomed to legendary elite high end compacts. But sometimes the precursor to them fall my way such as this early Yashica T* series. Whilst it still has a cache it’s a fraction of the cost of the later models. This means it can be bought for the price of a couple of non discounted domino’s Pizzas
But was it a slice of heaven or destined to leave a bad taste in my mouth.
Continue reading Prelude to the Bling Boys – Yashica T AF One roll Review
Once there was a legendary Japanese Camera maker famed for its detailed very compact cameras. But in 1988 they went very large with a camera with a passing resemblance to a star cruiser.
That camera was the Olympus AZ-300 Superzoom (aka Infinity Zoom 300 (US) and IZM-300). It would become one of the cameras that defined the term bridge.
Continue reading In a Galaxy Far, Far Away The Olympus AZ-300 Superzoom
When Cosina launched the the CX-1 & CX-2, little did they know they would become more famous as the cameras that inspired the Lomo LC-A. But that spark was not limited to the (in)famous Russian copy. Several other makes produced similar designs and here’s Hanimex’s take.
We’ve trod this ground before with the Halina 35 Micro (aka the Hong Kong Lomo) which was disappointing due to lack of focus, exposure control and any over-riding of an overly sensitive auto flash. The Hanimex instantly won me over as it resolves all 3 of those. But is it any good and is it a lomo rival ?
Continue reading The Aussie Lomo ? – Hanimex 35 Micro Flash