Although Olympus dominated the Half Frame market, they didn’t have a free run. Many a Japanese rival producing their take on the format. But only one is arguably one of the most beautiful cameras ever made. And that camera was the only half frame compact of that era to be copied by the soviets
But what made the Soviets copy her ? And why has it partially usurped my PEN EE-2 from being my favourite half frame ?
The Konica pop has acquired some zeitgeist as the a potential king of the fixed focus flash compacts. But how does it measure up wehn compared against it’s successor the Konica pop 10 (here in the sought after Konica Tomato guise). Which one is flavourful and which is a bit mushy ?
I’ll honestly avoid being too political about Brexit here. But as I type this the UK is still in the process of negotiating its departure from the European Union . Whether this leads to a prosperous future, disaster or somewhere in between remains to be seen. But is this oddly apt camera from Konica, a Negotiation Disaster or Brexit busting Deal. Continue reading Mini Brexit ? – Konica EU-mini Review→
The Konica Pop was a 35mm camera made from 1982 to 1984 in this form, with changes coming in 1985 and 1988 to optics and flash. It was well selling, it’s compactness and color variations helped it stand out in that era when most manufacturers had smaller automatic 35mm’s in their lineup. Continue reading Konica Pop Review – Guest Review by Al Mullen→
This perhaps is the oddest looking purchase of the Poundland Challenge so far. This 1988 zoom AF in RC Limited guise looks like a digital Bridge camera that were popular a few years back. But this all singing and dancing device turn out to be a golden gate or a bridge too far ?