As 2019 draws to a close you don’t need to watch the Eastenders or Gavin & Stacey Christmas special for a festive cliffhanger. Over in Crowdfunding land, a certain Yashica is running out of time to get it’s new 35mm film camera funded. And there’s even been some backer pull out.Continue reading Is The yashica MF-2 a Kickstarter Too Far ?
If Lomography had though they’d covered the niche reloadable disposable market, then 2019 must have given them a bit of rude awakening. First we had the Yashica MF-1 arriving. But now and more threatening is a big name make moving in with Harman (aka Ilford) Technology’s new camera
But is the Harman any good ?Continue reading Reload to Noir-Where – The Harman Reusable Camera
For the canny photographer, there have always been bargain cameras that are nearly as good as more expensive classic. But one camera recently I’ve noticed has been had that status elevated above that. Enter the Olympus AF-10 Super (aka infinity Jr) , described by some as “Just like a mju“
But does this more humble camera measure up to arguably the prototype for the elite compacts that would follow ?Continue reading Just Like a mju ? – The Olympus AF-10 Super Review
If Kickstarter in 2018 kept us hanging on high end gear like the Reflex SLR, then 2019 has turned out to be decidedly more lo-fi. Hot on the heals of the Meh ! Yashica MF-1, arrived my Reto3D camera. It promises 3D photos via the wiggle technique. But is it more Lo-fi dross or does it add something to the world of film based 3D photography. And why bother ?Continue reading New Adventures in the Third Dimension- Reto3D Review
So The new MF-1 has landed and turned out to be as expected not much more than a re-loadable disposable. It wasn’t awful at that job but how does it compare to some alternatives ? Time to turn out the plastic & single use cameras and fight it out !!!Continue reading Plastic Meltdown – A Yashica MF-1 Group Test Comparison
Canny de Camera strode across the land wielding his His Holy Olympus with the its cross hair of holy fire shooting Demons and Family portraits with easy. Welcome to the surreal experience of the View Zoom 80 (the Accura View Zoom 80 in the US) a 35mm zoom compact camera with a flaming red cross in the viewfinder. You’ll feel at home if you’re a fan of 70’s Italian Horror movies, 90’s FPS or religious things. But is it any good ?Continue reading The Flaming CrossHair of Low EV – Olympus View Zoom 80 Review
So I’ve been playing around with the new Yashica MF-1 “art” camera for a few days and have started to get a grasp of this plastic 35mm fixed everything camera. But is it indeed a tweaked single use camera as many speculate and more importantly is it any good ?Continue reading Reloading in the Disposable World – The New Yashica MF-1 Review
Although Olympus dominated the Half Frame market, they didn’t have a free run. Many a Japanese rival producing their take on the format. But only one is arguably one of the most beautiful cameras ever made. And that camera was the only half frame compact of that era to be copied by the soviets
But what made the Soviets copy her ? And why has it partially usurped my PEN EE-2 from being my favourite half frame ?Continue reading A Petite Love Affair – Konica EYE Review
This Year’s Poundland Challenge has flung up some excellent high end cameras for erm… a pound (or less). This is not one of them. Any Poundland Challenge always features a few from the lower end of the market. But that does that necessarily mean awful ?
Today’s plastic lo-fi comes courtesy of Concord Camera Corp. Also known as the Vivitar IC 100. It has attracted the tag of being the Poor Guy’s LC-A but is that deserved ?Continue reading The Fun From Bao’an – Le Clic FS30 Review
Usually when I review an SLR I tend to caveat my reviews by pointing out optical performance depends on the Lens glass and don’t focus on that side of things. But with this Ukrainian beast it really is all about the glass in the form of the Helios-81N ( гелиос-81н )50mm 1:2 lens.
But let’s not ignore the camera and we’ll begin there.Continue reading It’s All About The Lens Baby – Kiev 19 Review Part 1