As I sit munching the last of the mince pies and watching Bond on the telly (Spectre – not bad if a tad formulistic), it is the traditional time to start to reflect on 2017. A year that has seen both and highs and lows for film shooters.
yup I got another of Ricoh’s YF-20 series. A full review will be coming for this later model that adds a distance focus but this one came with the Data back. Although you can see the standard manual online, I couldn’t find any info about the data back. Having almost wrecked the camera in trying to replace the battery, I click it was quite easy and hopefully this will be of help
The Konica Pop was a 35mm camera made from 1982 to 1984 in this form, with changes coming in 1985 and 1988 to optics and flash. It was well selling, it’s compactness and color variations helped it stand out in that era when most manufacturers had smaller automatic 35mm’s in their lineup. Continue reading Konica Pop Review – Guest Review by Al Mullen→
I almost goofed badly when selling a lens. I’d picked up a Ricoh KR-5 Super with a few lens for relative peanuts but decided to sell on a Tokina 25-70mm lens as I already had a Pentax SMC KA zoom of similar length. It was only at the last minute I twigged the lens had the infamous Ricoh Pin issue. If you shoot with Pentax K mount cameras then it’s one you’ll want to know about. Continue reading K-mount Lens carnage with the infamous Ricoh Pin→
The terms Lomo and Lomography get banded around and are used interchangeably and mean different things to different people. I’ve had to think about this more recently as I’ve taken over moderating Lomography for non-snobs group on Flickr and have had to make decisions about what is a Lomography shot or not.