Most of you reading this will either process your own and/or use your favourite lab. If you live in a bigger city you maybe lucky and have a choice of local labs. But for folks in smaller towns, there’s a good chance you won’t have a lab on your doorstep. That said even in small towns you can drop off films at 2 high street stalwarts – Boots and Timpson (aka Cewe & Max Spielmann respectively)
But are they any good ? Well lets just say it isn’t exactly perfect.
It seems like a distant memory now but back at Christmas there was no 2m social avoidance and lockdown. I was up in Edinburgh for shopping and the Christmas market. I’d taken along my then recent Nikon FE10. But as light dropped mid afternoon I decided to push some film. That film was Kentmere Pan 400.
I got my hands on Yashica’s new film range and I though a child free trip to the Lake District would be perfect to test them out.
Shame I missed the lack of DX code on the films including the 400ISO B&W. I shoved that film into my F75 which defaulted to 100 ISO. Luckily some saints of the lab world came to my rescue.
This week has been like Christmas for a film shooter & Kickstarter addict like myself. Just before the weekend the Yashica MF-1 arrived and on Monday the postie left 2 new packages for me. First up the RETO3D 3D film cameras, a 21st Century take on the Nimslo. The second box was a slightly late Ars Imago Lab Box.
My apologies as this is way late but it has been a busy month as you’ll see. This post we’ll have a couple of trips away to discuss some new & old cameras and why I’m probably never buying Lomography 120 film ever again. But worse still it looks like the Lomography Film is now dead on the UK High Street too.
Oh and some other worthy reviews to check out and a DIY project for the darkroom bunnies.
I have guilty secret but I don’t think I’m alone. I’ve just started running a very basic cheap and cheerful enhance filter over some of my shots. But is post scan tweaking (PST) a good or bad thing ? And how much do you do ?
Most of you will know a bargain always tempts me so that’s why I shoot shed loads of AVP200 from Poundland isn’t it ? But actually AVP200 can work out more expensive than you think but I still think you should buy it and here’s why !!!
Purveyors of cheap film Lupus Imaging probably best know for Poundland’s finest Agfaphoto Vista Plus 200 colour negative film but the company also sell APX true B&W film which is argueably the cheapest pre rolled B&W film available in the UK
So it is that time of the year again where I have a quick look back at what has been happening in the analogue world whilst eating the last mince pie and putting the Xmas tree oot for the bin men.