So I must admit i’m a bit of a fan of Minolta’s 110 cameras. If you’ve followed this blog you’ll know I highly rate some of the models in the Pocket Autopak 400 series pretty highly for this class.
So when I got my hands on the top dog of the class I was pretty excited. But it didn’t quite live up to the hype.
Continue reading Pocket Dynamite or Dud ? -Minolta pocket Autopak 470 Review
In 1987 Concord Camera Corp launched another 110 camera on an unsuspecting American Public under the Le Clic brand. Concord were not unfamiliar with 110 cameras having launched a fair number of low end run of the mill minox style numbers with and without flash under their various brands.
But Le Mini is something very different even more Lo-Fi and with Cult Appeal.
Continue reading Americana Compacted -Le Mini By Le Clic Review
The eagle eyed amongst you will have remember as well as the Halina Super-Mini I recently reviewed, I’d also picked up the flash version. But this offers exposure control as well as the built in flash. And Hey it actually is a museum piece !
Does that make things any better ?
Continue reading Stuck in the MIddle ? -Halina Super-Mini Flash
“Hello Q. Got any special gear for this mission for me? “.
Q looked and sighed.
“After you crashing the Aston and losing the laser beam Rolex in the midst of the current austerity squeeze not so much. What happened to the rocket Launching Nikon by the way ?”
“Boom and bust Q”
“But anyway” said Q handing him a Halina Super-Mini.
Continue reading The Spy Whose Spending was Reviewed – The Halina Super-Mini 88 Review
You’ve got to give Voigtländer the credit for some very gorgeous cameras. But then again as the longest serving camera make in the world that’s not a surprise. But how does this mid 70’s simple 110 camera that I got for a quid match up to the expectations ?
Continue reading Small Is The New Sexy ? – The Voigtländer Vitoret 110 Review
This is probably the weirdest camera I own. I wasn’t too sure if I if I should provide a breath sample with it or take photos. Welcome to the Minolta Zoom 110 SLR. Not only is it one of the weirdest looking in the world. But it’s also a fully functioning SLR that takes 110 film and arguably if not a bridge camera then sets the path for them.
Continue reading Over The Limit, Sir ? – Minolta zoom 110 SLR 1 Roll review
It’s a battle to death between these plastic lo-fi miniature beauties for the 110 lo-fi crown. But which one wins and which one is consigned to dust ? Lets load up some expired Konica film and find out as they go head to head. Continue reading Rumble in 110 Plastic Jungle – Lomography Diana Baby 110 v Halina Micro 110
If you read my 430EX review, you’ll know I’m reasonably impressed with Minolta’s take on point and shoot 110 cameras although there are some faults. Here’s its bigger twin lensed brother the 1979 460T. How did it fare ? Continue reading Double Trouble ? – Minolta Pocket Autopak 460T Review
In the last year or 2, I’ve shot a lot of 110 cameras. They have tended though to fall into 3 camps – modern toy shooters with plastic lenses for the lomo crowd, simple 70’s cameras with that classic minox 110 shape or the bonkers high end SLR & rangefinders. The 430E & 430Ex sit in that middle group but with some high end features that raise them above the average. Continue reading One Hand in My Pocket – Minolta Pocket Autopak 430Ex review
Lomography have proved the savours of the 110 format and deserve serious Kudos for being the main supplier of 110 film packs. But there might be a wee issue with the backing paper… Continue reading Holy Lomo Moly – The curious case of light spots on Lomography 110 film