After a run of not so cheap cameras, I thought I’d better get back to basics with another Poundland challenge 2019 camera. In brief that challenge set out to find what you could buy for a quid and although we’ve had several high end cameras including the MZ-5 SLR, I’d rightly assumed that we’d be faced with several fixed focus plastic numbers.
But this no frill plastic flash camera doesn’t hail from Haking, Hanimex or Concord. This one’s a Minolta and it’s not good.
I’m not accustomed to legendary elite high end compacts. But sometimes the precursor to them fall my way such as this early Yashica T* series. Whilst it still has a cache it’s a fraction of the cost of the later models. This means it can be bought for the price of a couple of non discounted domino’s Pizzas
But was it a slice of heaven or destined to leave a bad taste in my mouth.
Car boots are often is bit hit and miss for the cheap camera hunter. I’ve scored some great wee finds over the years from my £3 XA, a K1000 for a £5 that I sold on to my mint £2 Espio 120SW. But at times you find nothing but the odd instamatic and true tat. The bank holiday weekend on in Dumfries however flung up a grubby mju zoom 105(aka ∞ Stylus Zoom 105) for two quid that literally worked for one roll and then died.
Once there was a legendary Japanese Camera maker famed for its detailed very compact cameras. But in 1988 they went very large with a camera with a passing resemblance to a star cruiser.
That camera was the Olympus AZ-300 Superzoom (aka Infinity Zoom 300 (US) and IZM-300). It would become one of the cameras that defined the term bridge.
As the Poundland Challenge 2019 has proved again you can actually buy a lot for a quid. So why don’t we take 2 AF compacts for a walk that cost around a quid and see what you get for your buck.
“The nice thing about the Halina 35x is you’re not likely to get mugged for it and if you do you can use it as a deadly weapon.” The poor Hong Kong made 35x is the butt of many a joke and scorn in the camera world.
But this 1959 “Empire Made” viewfinder did sell rather well and has cult following amongst some. So is it really all that bad?
Too often I have to do a review based on just a couple of rolls. But some cameras hang a round longer and I thought it might be worth revisiting those. We begin with the my Superheadz Wide and Slim, a clone of the Vivitar Wide and Slim (VUWS). This is often seen as one of the best Lo-Fi cameras still made
But does it deserve that ? And why you should by a a Black one ?
Last year’s Yashica Y35 launch led to one of the biggest outpouring of anger the photography community has ever seen. Whilst the Y35 wasn’t as bad some the vitriol, it was far from perfect. So there was some surprise when rumours of a Yashica branded film. But they’ve now pushed it even further with the launch of a Kickstarter for 2 new films, an analogue camera and the promise of more.
I’d already nailed a good SLR body with the Pentax MZ-5 for the Poundland challenge this year. But a AF SLR Nikon body also arrived for a 99p plus postage. So how does the F65 fare ? and how does it compare to other bodies.
When Cosina launched the the CX-1 & CX-2, little did they know they would become more famous as the cameras that inspired the Lomo LC-A. But that spark was not limited to the (in)famous Russian copy. Several other makes produced similar designs and here’s Hanimex’s take.
We’ve trod this ground before with the Halina 35 Micro (aka the Hong Kong Lomo) which was disappointing due to lack of focus, exposure control and any over-riding of an overly sensitive auto flash. The Hanimex instantly won me over as it resolves all 3of those. But is it any good and is it a lomo rival ?
