If Lomography had though they’d covered the niche reloadable disposable market, then 2019 must have given them a bit of rude awakening. First we had the Yashica MF-1 arriving. But now and more threatening is a big name make moving in with Harman (aka Ilford) Technology’s new camera
But is the Harman any good ?
Continue reading Reload to Noir-Where – The Harman Reusable Camera
So this is a review of a Kodak camera then ?
Well not quite. This was never sold by Kodak, the name here has just been licenced by Vivitar. Its actually just a Vivitar T201 Lx under the hood a camera that has a cult following. But is that deserved ?
Continue reading A VUWS with Flash ? – The Curious Tale of the Kodak KV250
So my quest for the Olympus Lomo continues with another offering from the Plastic Trip series. Could this older model knock off the Trip 505 from the most Lomo like hot seat ?
Is this a lo-fi gem, a pile of junk or an actually okay camera. Grap your whip and Fedora and join us on this journey across erm…. the foot bridge.
Continue reading The Raiders of the Olympus Lomo – Part 3 The Olympus Trip MD3
So The new MF-1 has landed and turned out to be as expected not much more than a re-loadable disposable. It wasn’t awful at that job but how does it compare to some alternatives ? Time to turn out the plastic & single use cameras and fight it out !!!
Continue reading Plastic Meltdown – A Yashica MF-1 Group Test Comparison
So I’ve been playing around with the new Yashica MF-1 “art” camera for a few days and have started to get a grasp of this plastic 35mm fixed everything camera. But is it indeed a tweaked single use camera as many speculate and more importantly is it any good ?
Continue reading Reloading in the Disposable World – The New Yashica MF-1 Review
How bad could it be ? I mean the Y35 wasn’t that awful….
When the new start up version of Yashica launched the Y35 Digi-film camera, the knives were rapidly out before it even launched and many thought it would be sayonara once more.
But they came back promising both film and film cameras and this morning a package arrived from Hong Kong containing both. I’m rapidly wishing they hadn’t come back on the basis of the camera…
Continue reading Houston We Have a Problem – The New Yashica MF-1 – First Thoughts
In 1987 Concord Camera Corp launched another 110 camera on an unsuspecting American Public under the Le Clic brand. Concord were not unfamiliar with 110 cameras having launched a fair number of low end run of the mill minox style numbers with and without flash under their various brands.
But Le Mini is something very different even more Lo-Fi and with Cult Appeal.
Continue reading Americana Compacted -Le Mini By Le Clic Review
This Year’s Poundland Challenge has flung up some excellent high end cameras for erm… a pound (or less). This is not one of them. Any Poundland Challenge always features a few from the lower end of the market. But that does that necessarily mean awful ?
Today’s plastic lo-fi comes courtesy of Concord Camera Corp. Also known as the Vivitar IC 100. It has attracted the tag of being the Poor Guy’s LC-A but is that deserved ?
Continue reading The Fun From Bao’an – Le Clic FS30 Review
“Hello Q. Got any special gear for this mission for me? “.
Q looked and sighed.
“After you crashing the Aston and losing the laser beam Rolex in the midst of the current austerity squeeze not so much. What happened to the rocket Launching Nikon by the way ?”
“Boom and bust Q”
“But anyway” said Q handing him a Halina Super-Mini.
Continue reading The Spy Whose Spending was Reviewed – The Halina Super-Mini 88 Review
Too often I have to do a review based on just a couple of rolls. But some cameras hang a round longer and I thought it might be worth revisiting those. We begin with the my Superheadz Wide and Slim, a clone of the Vivitar Wide and Slim (VUWS). This is often seen as one of the best Lo-Fi cameras still made
But does it deserve that ? And why you should by a a Black one ?
Continue reading Filthy Beast – the VUWS/Superheadz Wide and Slim Re-Appraised after 1000+ Shots