After a run of not so cheap cameras, I thought I’d better get back to basics with another Poundland challenge 2019 camera. In brief that challenge set out to find what you could buy for a quid and although we’ve had several high end cameras including the MZ-5 SLR, I’d rightly assumed that we’d be faced with several fixed focus plastic numbers.
But this no frill plastic flash camera doesn’t hail from Haking, Hanimex or Concord. This one’s a Minolta and it’s not good.
Continue reading You Get What You Pay for – Minolta F25 review
“Hello Q. Got any special gear for this mission for me? “.
Q looked and sighed.
“After you crashing the Aston and losing the laser beam Rolex in the midst of the current austerity squeeze not so much. What happened to the rocket Launching Nikon by the way ?”
“Boom and bust Q”
“But anyway” said Q handing him a Halina Super-Mini.
Continue reading The Spy Whose Spending was Reviewed – The Halina Super-Mini 88 Review
Too often I have to do a review based on just a couple of rolls. But some cameras hang a round longer and I thought it might be worth revisiting those. We begin with the my Superheadz Wide and Slim, a clone of the Vivitar Wide and Slim (VUWS). This is often seen as one of the best Lo-Fi cameras still made
But does it deserve that ? And why you should by a a Black one ?
Continue reading Filthy Beast – the VUWS/Superheadz Wide and Slim Re-Appraised after 1000+ Shots
Launched in the 1950’s the Coronet 6-6 was yet another no frills Bakelite roll film camera, But the folks at Coronet decided to re-brand this camera as the Rex Flash. But is it King or just Flash in the pan.
Continue reading Brummie Deco – the Curious case of the Coronet REX Flash
The Konica pop has acquired some zeitgeist as the a potential king of the fixed focus flash compacts. But how does it measure up wehn compared against it’s successor the Konica pop 10 (here in the sought after Konica Tomato guise). Which one is flavourful and which is a bit mushy ?
Continue reading Popping the Tomato – A tale of 2 Konica Cameras
Oddly for a discussion about another company’s camera, I need to open this with – Why Kodak Why ?
The Ansco Pioneer 20 is a vintage slice of Americana film photography and is a box camera similar in styling to the Agfa’s Clack and Click cameras. Irritatingly it uses 620 film not 120 like the Agfa’s. But hey could I mod this to work with ordinary 35mm film ? Continue reading Americana Re-rolled – A misguided attempt at using 35mm film in an Ansco Pioneer
At first glance things don’t look promising. We’ve a basic all plastic camera with its basic design and no features. It also come with that badge of dubious quality ‘Japan Lens’. So if you’re a fan of plastic cameras is it worth your time to click this le Clic ? Continue reading Le Clic est Freak ! – The Le Clic 170/C170 Review
I’ve a bit of a soft spot for the old Barclaycard Visa Camera despite it being pretty basic and prone to breaking. However I’ve been long aware there is another Barclaycard film camera. So when I came across a couple of these for peanuts I couldn’t resist. Continue reading Credit Crunch ? – Barclaycard Camera Review
Hang on to your hat, Indy ! After a near miss with the trip 500 and an own goal by the AF51 have I finally come into the cave of the Mythical Olympus Lomo in the guise of the Trip 505. But is it a lost ark or a temple of Doom ? Continue reading Raiders of the Olympus Lomo Part 2 – Olympus Trip 505 Review
I’ll honestly avoid being too political about Brexit here. But as I type this the UK is still in the process of negotiating its departure from the European Union . Whether this leads to a prosperous future, disaster or somewhere in between remains to be seen. But is this oddly apt camera from Konica, a Negotiation Disaster or Brexit busting Deal. Continue reading Mini Brexit ? – Konica EU-mini Review