Tag Archives: Film

Resurrection Blues- The Yashica MF-2 Super Review

As I sit and type this the first Film Camera to bear the Yashica name in over a decade is winging its way to me from Hong Kong. Whether the New MF-1 is any good or more likely not remains to be seen. But the new Yashica are also hinting at 2 new cameras. In the long term a 35mm version of the Yashica-44 TLR but perhaps more imminent is the MF-2. Turns out the MF-2 is based on the 1980’s MF-2 Super a fixed focus flash cam.

So you know, I decided to test the original.

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Americana Compacted -Le Mini By Le Clic Review

In 1987 Concord Camera Corp launched another 110 camera on an unsuspecting American Public under the Le Clic brand. Concord were not unfamiliar with 110 cameras having launched a fair number of low end run of the mill minox style numbers with and without flash under their various brands.

But Le Mini is something very different even more Lo-Fi and with Cult Appeal.

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Prelude to the Bling Boys – Yashica T AF One roll Review

I’m not accustomed to legendary elite high end compacts. But sometimes the precursor to them fall my way such as this early Yashica T* series. Whilst it still has a cache it’s a fraction of the cost of the later models. This means it can be bought for the price of a couple of non discounted domino’s Pizzas

But was it a slice of heaven or destined to leave a bad taste in my mouth.

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It’s All About The Lens Baby – Kiev 19 Review Part 1

Usually when I review an SLR I tend to caveat my reviews by pointing out optical performance depends on the Lens glass and don’t focus on that side of things. But with this Ukrainian beast it really is all about the glass in the form of the Helios-81N ( гелиос-81н )50mm 1:2 lens.

But let’s not ignore the camera and we’ll begin there.

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Stuck in the MIddle ? -Halina Super-Mini Flash

The eagle eyed amongst you will have remember as well as the Halina Super-Mini I recently reviewed, I’d also picked up the flash version. But this offers exposure control as well as the built in flash. And Hey it actually is a museum piece !

Does that make things any better ?

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The Analogue Arms – Storm Brewing

Been a busy few weeks both photography and in life. I’ve realised the regular update is becoming a a bit irregular and given it’s almost 2 months since I last did one so say farewell to the analogue week and step inside from the rain to the warmth of the Analogue Arms and grab a pint or coffee from the bar as I give you a run down of what I’ve been up to and some other news that’s worth follow

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A Quick Dirty Booty Call – The Olympus Mju Zoom 105 Review

Car boots are often is bit hit and miss for the cheap camera hunter. I’ve scored some great wee finds over the years from my £3 XA, a K1000 for a £5 that I sold on to my mint £2 Espio 120SW. But at times you find nothing but the odd instamatic and true tat. The bank holiday weekend on in Dumfries however flung up a grubby mju zoom 105(aka ∞ Stylus Zoom 105) for two quid that literally worked for one roll and then died.

Was it £2 quid well spent despite this ?

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The Spy Whose Spending was Reviewed – The Halina Super-Mini 88 Review

“Hello Q. Got any special gear for this mission for me? “.
Q looked and sighed.
“After you crashing the Aston and losing the laser beam Rolex in the midst of the current austerity squeeze not so much. What happened to the rocket Launching Nikon by the way ?”

“Boom and bust Q”

“But anyway” said Q handing him a Halina Super-Mini.

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In a Galaxy Far, Far Away The Olympus AZ-300 Superzoom

Once there was a legendary Japanese Camera maker famed for its detailed very compact cameras. But in 1988 they went very large with a camera with a passing resemblance to a star cruiser.

That camera was the Olympus AZ-300 Superzoom (aka Infinity Zoom 300 (US) and IZM-300). It would become one of the cameras that defined the term bridge.

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10 Crap Cameras That Are Just Crap

Regular readers will know I have a love for those cheap ‘n cheerful Lo-Fi cameras that other reviewers wouldn’t touch with a barge-pole. But even for me there are some pretty inexcusable garbage that tries to pass themselves off as being a camera. Here’s my top 10 plus some views of others in what cameras you really want to avoid.

We have some surprises as we go from Halina to Leica in this list. But do you agree and what would you add ?

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