I have guilty secret but I don’t think I’m alone. I’ve just started running a very basic cheap and cheerful enhance filter over some of my shots. But is post scan tweaking (PST) a good or bad thing ? And how much do you do ?
Most of you will know a bargain always tempts me so that’s why I shoot shed loads of AVP200 from Poundland isn’t it ? But actually AVP200 can work out more expensive than you think but I still think you should buy it and here’s why !!!
The premise was simple – send the same camera to 3 different shooters. Not being quite able to afford 3 Leica III, 3 bargain bucket cameras headed off. My Halina Panorama challenge got off to an interesting start for our first of 3 shooters Hamish Gill, a mix of the good but mainly the bad. I wasn’t too surprised he didn’t end up being a fan. But how would the Pano fare in the hands of someone more use to the light plastastic? Continue reading Three Takes on the Halina Panorama – (2) Lucy’s Trip
In the last year or 2, I’ve shot a lot of 110 cameras. They have tended though to fall into 3 camps – modern toy shooters with plastic lenses for the lomo crowd, simple 70’s cameras with that classic minox 110 shape or the bonkers high end SLR & rangefinders. The 430E & 430Ex sit in that middle group but with some high end features that raise them above the average. Continue reading One Hand in My Pocket – Minolta Pocket Autopak 430Ex review
It was during my rush to get my hands on some F2/400 that I bought some rolls of lady Grey and on a recent dive into Boots I picked some more up on a buy one get one half price deal. I’d heard the stuff was marked as and made in USA and was basically Kodak Tmax. But then I stumbled across this Flickr discussion post which rightly pointed out they ain’t made in the states no more but is marked as made in the Czech Republic. Continue reading The lady goes East – The curious tale of Lomography Lady Grey
Although Vivitar in terms of plastic cameras are best known for the legendary VUWS, they produced several at the turn of the century, some of which have also got a cult following like the PN2011 (commonly seen in Reader’s Digest PN919 guise). But does this live up to its more famous sibling ?
Continue reading Behind the Mask – Reader’s Digest PN919/Vivitar PN2011 Review
Lomography have proved the savours of the 110 format and deserve serious Kudos for being the main supplier of 110 film packs. But there might be a wee issue with the backing paper… Continue reading Holy Lomo Moly – The curious case of light spots on Lomography 110 film
Given my recent trouble with mju’s you might have thought I’d stay clear of Olympus compacts for a bit but then this budget number landed in a job lot and you know it’s not that bad. Continue reading We’re not in Kansas – Olympus OZ-10 Review
Goodness what a year for film 2017 is turning out. A resurgent Kodak kicked things off right at the start with the announcement that Ektachrome will be back by the end of the year. But in March it has been gone a bit Italian with 2 launches of 2 very different films made just 50km from Genoa. Continue reading The Italian Job – A Tale of 2 ‘New’ Films
The Konica Pop was a 35mm camera made from 1982 to 1984 in this form, with changes coming in 1985 and 1988 to optics and flash. It was well selling, it’s compactness and color variations helped it stand out in that era when most manufacturers had smaller automatic 35mm’s in their lineup. Continue reading Konica Pop Review – Guest Review by Al Mullen