Tag Archives: 1980’s

Resurrection Blues- The Yashica MF-2 Super Review

As I sit and type this the first Film Camera to bear the Yashica name in over a decade is winging its way to me from Hong Kong. Whether the New MF-1 is any good or more likely not remains to be seen. But the new Yashica are also hinting at 2 new cameras. In the long term a 35mm version of the Yashica-44 TLR but perhaps more imminent is the MF-2. Turns out the MF-2 is based on the 1980’s MF-2 Super a fixed focus flash cam.

So you know, I decided to test the original.

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Americana Compacted -Le Mini By Le Clic Review

In 1987 Concord Camera Corp launched another 110 camera on an unsuspecting American Public under the Le Clic brand. Concord were not unfamiliar with 110 cameras having launched a fair number of low end run of the mill minox style numbers with and without flash under their various brands.

But Le Mini is something very different even more Lo-Fi and with Cult Appeal.

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Prelude to the Bling Boys – Yashica T AF One roll Review

I’m not accustomed to legendary elite high end compacts. But sometimes the precursor to them fall my way such as this early Yashica T* series. Whilst it still has a cache it’s a fraction of the cost of the later models. This means it can be bought for the price of a couple of non discounted domino’s Pizzas

But was it a slice of heaven or destined to leave a bad taste in my mouth.

Continue reading Prelude to the Bling Boys – Yashica T AF One roll Review

It’s All About The Lens Baby – Kiev 19 Review Part 1

Usually when I review an SLR I tend to caveat my reviews by pointing out optical performance depends on the Lens glass and don’t focus on that side of things. But with this Ukrainian beast it really is all about the glass in the form of the Helios-81N ( гелиос-81н )50mm 1:2 lens.

But let’s not ignore the camera and we’ll begin there.

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In a Galaxy Far, Far Away The Olympus AZ-300 Superzoom

Once there was a legendary Japanese Camera maker famed for its detailed very compact cameras. But in 1988 they went very large with a camera with a passing resemblance to a star cruiser.

That camera was the Olympus AZ-300 Superzoom (aka Infinity Zoom 300 (US) and IZM-300). It would become one of the cameras that defined the term bridge.

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The Aussie Lomo ? – Hanimex 35 Micro Flash

When Cosina launched the the CX-1 & CX-2, little did they know they would become more famous as the cameras that inspired the Lomo LC-A. But that spark was not limited to the (in)famous Russian copy. Several other makes produced similar designs and here’s Hanimex’s take.

We’ve trod this ground before with the Halina 35 Micro (aka the Hong Kong Lomo) which was disappointing due to lack of focus, exposure control and any over-riding of an overly sensitive auto flash. The Hanimex instantly won me over as it resolves all 3 of those. But is it any good and is it a lomo rival ?

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Popping the Tomato – A tale of 2 Konica Cameras

The Konica pop has acquired some zeitgeist as the a potential king of the fixed focus flash compacts. But how does it measure up wehn compared against it’s successor the Konica pop 10 (here in the sought after Konica Tomato guise). Which one is flavourful and which is a bit mushy ?

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Konica Pop Review – Guest Review by Al Mullen

The Konica Pop was a 35mm camera made from 1982 to 1984 in this form, with changes coming in 1985 and 1988 to optics and flash. It was well selling, it’s compactness and color variations helped it stand out in that era when most manufacturers had smaller automatic 35mm’s in their lineup. Continue reading Konica Pop Review – Guest Review by Al Mullen