The Konica Pop was a 35mm camera made from 1982 to 1984 in this form, with changes coming in 1985 and 1988 to optics and flash. It was well selling, it’s compactness and color variations helped it stand out in that era when most manufacturers had smaller automatic 35mm’s in their lineup. Continue reading Konica Pop Review – Guest Review by Al Mullen
‘Twas Christmas Eve in Canny Cameraville and a small package arrived with a Fuji FZ-5 and a few days later a Halina 160 turned up. But how do these 2 basic 1980’s plastic-tastic cameras fare ? Continue reading Yuletide trashcam shoot-off – Fuji FZ-5 v Halina 160
The Mintar-1 lens is probably most synonymous with the love it or hate it Lomo LC-A. But a variant pops up on a simple fixed focus compact that Lomo foisted upon us Brits, the forgotten Zenit 35F. Continue reading Never mind the Minitar – The (Lomo) Zenit 35F Review
The Pentax P30 series (P3 in the US) is often not at the top of the SLR shopper’s list. But these models are actually quite capable, abet slightly flawed, and are a cheap way into the fantastic K mount series. Continue reading Bad penny done good ? – Pentax P30 Series Review
The Ansco 35 is a plastic camera made by Haking of Hong Kong, and is also branded as the Halina 35. It was manufactured around 1980 and mine says made in Macau on it. It is obviously a toy camera in that it has designs that are just for show and is all plastic. Continue reading Ansco 35 Review – Guest Review by Al Mullen
This ultra compact plastic camera has grabbed by attention for a while. It is for a toy camera a wonderful piece of design and possibly the smallest mass produced camera for a common film format. Haking have made some corking fixed focus numbers IMHO and some howlers but where does this sit and is it the 110 world’s VUWS ? (NOTE now updated here) Continue reading Halina Micro 110 Review – Is it the 110 VUWS ?
Late in 2015 Holga production ceased. A sad fate for an iconic plastic camera that helped drive the Lo-Fi photography movement and remains much beloved today. Luckily you can still buy ’em brand new.
But how does the 120N (the closest to the original 80’s Holga) fare today and compared to the obvious rival product from Lomography, the Diana F+.
Lomography’s Mythology¹ describes this quirky zone focus shooter as the progenitor of the camera that started Lomography, the LC-A. But how does this camera that the Russians so slavishly copied, stand up on its own ?
A few weeks back I published a quick review on this fixed focus shooter from the might Olympus, but how is it faring as time goes on ?
I don’t really like reviewing cameras that haven’t worked but I recently acquired a Yashica Samurai X4 which had a a sticky shutter. The actual other mechanics of the camera worked (bar flash) so these are my musing on this unique camera half frame SLR despite not actually successfully taking a shot on it