When I posted about my experience on this camera I got a few folk pointing out that their EF-M was actually doing fine with Manual focus lenses. So in the spirt of fairness I got a new adaptor ring. An apology is due as I must now concede the camera does work with manual lenses. But only some adaptors and even then it’s a crap experience.
Continue reading An Apology to The Canon EOS EF-M. It can mount via Some Adaptors. But it’s Still PointlessCategory Archives: Film
It’s A Canon, Jim, But Not As we Know It – The Canon EOS EF-M Review
Canon’s switch to the EF mount had let them neatly leapfrog their rivals like Nikon at the end of the 80’s. And during the 1990’s they would produce cameras that cornered both the high and lower end of the markets. The EF-M is not one of those. This probably is one of the most pointless SLR ever produced.
Continue reading It’s A Canon, Jim, But Not As we Know It – The Canon EOS EF-M Review
The SLR that time would Rather Forget – The Nikon Pronea S Review
In the late 1990’s Nikon launched 2 new SLR cameras that they thought would be game changers. These were serious kit and offer incredible back and forward lens compatility and can still use Nikon lenses made today and from the 1970’s . But you’ll never find either of these Pronea models on a top 10 Nikon cameras list
That’s because they shoot APS film.
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The Future’s Sooo Bright BUT You Gotta Wear Shades – The NONS SL42 Update
Earlier this year Nons launched one of the more interesting analogue camera Kickstarters that I’ve seen. The SL42 is an interchangeable lens mount SLR that uses Instax instant film. The company have updated backers with some mixed news this week. Which means we’re gonna see this quite soon, with new good features but one major problem.
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Brace Yerself – The Kodak Brownie Cresta II Review
I’d been strangely unsatisfied with the Cresta 3, the third of Kodak UK’s Bakelite Brownies for 120 film. But could its glass lens predecessor be a better choice ? It is but you all need to brace youselves in more ways than one.
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Raiders Of The Lost Lomos – The Lomography Lomolitos Review
Lomography are probably the most prolific current analogue camera makers in the world. Many of their products have cult status. But a few cameras just haven’t cut the mustard and disappear. One of these is this little known number. But this shatters the whole notion that the Lomography Simple Use invented the re-loadable disposable class. And the Lomolitos might just be the better camera.
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Jumpin’ Jack No-Flash – Hanimex 35 hs Review
Yet another 1980’s plastic bodied lo-fi shooter which was likely made by Haking for Hanimex. Launched in 1986 it is not exactly top flight stuff. But is there enough to appeal to lo-fi shooters ?
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A Very British Affair – Kodak Colorsnap 35 Review
Kodak’s British arm was more than a mere sales outlet for George Eastman’s company. The company made its own cameras, not just British versions of the parent company. The Colorsnap cameras are to my knowledge, the only 35mm cameras the UK branch solely made. But are they worth your time ?
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Reloaded And Ready – Lomography Simple Use Camera Review
I’ve ended up over the past couple of years reviewing quite a few single use and reloaded disposable class cameras. But they all come with issues. But the camera that started the reloadable disposable thing off finally arrived on my mat, And there’s a good reason why this is one of the most regarded cameras in the class.
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Rebooted But is it Suited ? – New Yashica MF2 Super v The Old One
When the New Yashica announced the MF2, let’s be honest it wasn’t met with much excitement. But they got enough kickstarter backers and actually delivered a camera that works. But is it as good (or should I say mediocre) as the camera it essentially reboots, the Kyocera era Yashica MF2 super? And should you bother with either?
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