Tag Archives: 2020

The line between genius and Madness -The Nons SL42 Review

The Nons SL42 is arguably the most important analogue camera to hit the market in recent years. And if the rumour of the demise of the F6 are true, the only mass produced SLR with interchangeable lenses in production. It however doesn’t use 35mm film. This bad boy shoots Instax. And whilst this has flaws this seriously changes the game

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The Show Must Go On ? – The Verdict On The Dubblefilm Show

2020 has flung us some pretty nasty curveballs. But this is a somewhat more pleasant pitch at an unsuspecting world. I’ve already unboxed the Dubblefilm Show, the newest camera in town. But how good is it when the film’s been processed ?

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The Dubblefilm Show – Unboxing and First impressions

2020 has turned out to a bit of a contrast then. In the General world it hasn’t been great has it. But oddly In the film photography world things have been quite interesting. We’ve had a series of new products from film, to camera to gear. Now cheeky tinted film makers Dubblefilm have decided to join in the camera market with their Show camera. One landed on my doormat this morning and I’ve been out using it.

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The Future’s Sooo Bright BUT You Gotta Wear Shades – The NONS SL42 Update

Earlier this year Nons launched one of the more interesting analogue camera Kickstarters that I’ve seen. The SL42 is an interchangeable lens mount SLR that uses Instax instant film. The company have updated backers with some mixed news this week. Which means we’re gonna see this quite soon, with new good features but one major problem.

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The Canadian light Foot – The Reveni Labs Meter on Parade

2020 is probably going to be remember for quite a few thing but tucked away under all the strife it could have been know as the year of the external lightmeter to us film shooters. Just before lockdown kicked in a new Kickstarter appeared for this Lightmeter. But as well as the impact of Covid-19, it wasn’t to have the market to itself. But how does it stack up now it has appeared ?

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Rebooted But is it Suited ? – New Yashica MF2 Super v The Old One

When the New Yashica announced the MF2, let’s be honest it wasn’t met with much excitement. But they got enough kickstarter backers and actually delivered a camera that works. But is it as good (or should I say mediocre) as the camera it essentially reboots, the Kyocera era Yashica MF2 super? And should you bother with either?

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