So my quest for the Olympus Lomo continues with another offering from the Plastic Trip series. Could this older model knock off the Trip 505 from the most Lomo like hot seat ?
Is this a lo-fi gem, a pile of junk or an actually okay camera. Grap your whip and Fedora and join us on this journey across erm…. the foot bridge.
I’ve come across a few more basic cameras that pick up a mythic tag comparing them to a more esteemed classic. But the Nikon F-301 (or in my case weirdly the Americanised N2000) is perhaps the most bizarre of the bunch. That’s because some folks do compare it to the legend that is the F3
Whilst it’s no F3, if you’re on a budget this might be good compromise.
For the canny photographer, there have always been bargain cameras that are nearly as good as more expensive classic. But one camera recently I’ve noticed has been had that status elevated above that. Enter the Olympus AF-10 Super (aka infinity Jr) , described by some as “Just like a mju“
But does this more humble camera measure up to arguably the prototype for the elite compacts that would follow ?
If Kickstarter in 2018 kept us hanging on high end gear like the Reflex SLR, then 2019 has turned out to be decidedly more lo-fi. Hot on the heals of the Meh !Yashica MF-1, arrived my Reto3D camera. It promises 3D photos via the wiggle technique. But is it more Lo-fi dross or does it add something to the world of film based 3D photography. And why bother ?
So The new MF-1 has landed and turned out to be as expected not much more than a re-loadable disposable. It wasn’t awful at that job but how does it compare to some alternatives ? Time to turn out the plastic & single use cameras and fight it out !!!
As deliveries of the Kickstarter backed MF-1finish, the new Yashica seem to confirms that they will be going to launch their next kickstarter {Novella]. This is the MF-2, a camera that is confusingly is not based on the original Yashica MF-2 but the later Kyocera era Yashica MF-2 Super.
So I’ve been playing around with the new Yashica MF-1 “art” camera for a few days and have started to get a grasp of this plastic 35mm fixed everything camera. But is it indeed a tweaked single use camera as many speculate and more importantly is it any good ?
Weirdly this camera sums up a lot of the UK’s current political & economic situation. A rehashed plastic version of a 1950’s British number pushed out by a global corporation that misses the zeitgeist and lags behind it’s European counterparts. But hey it’s British made and we might be able to sell it to the Yanks.,,,
How bad could it be ? I mean the Y35 wasn’t that awful….
When the new start up version of Yashica launched the Y35 Digi-film camera, the knives were rapidly out before it even launched and many thought it would be sayonara once more.
But they came back promising both film and film cameras and this morning a package arrived from Hong Kong containing both. I’m rapidly wishing they hadn’t come back on the basis of the camera…
As I sit and type this the first Film Camera to bear the Yashica name in over a decade is winging its way to me from Hong Kong. Whether the New MF-1 is any good or more likely not remains to be seen. But the new Yashica are also hinting at 2 new cameras. In the long term a 35mm version of the Yashica-44 TLR but perhaps more imminent is the MF-2. Turns out the MF-2 is based on the 1980’s MF-2 Super a fixed focus flash cam.