Lomography are probably the most prolific current analogue camera makers in the world. Many of their products have cult status. But a few cameras just haven’t cut the mustard and disappear. One of these is this little known number. But this shatters the whole notion that the Lomography Simple Use invented the re-loadable disposable class. And the Lomolitos might just be the better camera.Continue reading Raiders Of The Lost Lomos – The Lomolitos Review
Yet another 1980’s plastic bodied lo-fi shooter which was likely made by Haking for Hanimex. Launched in 1986 it is not exactly top flight stuff. But is there enough to appeal to lo-fi shooters ?Continue reading Jumpin’ Jack No-Flash – Hanimex 35 hs Review
Kodak’s British arm was more than a mere sales outlet for George Eastman’s company. The company made its own cameras, not just British versions of the parent company. The Colorsnap cameras are to my knowledge, the only 35mm cameras the UK branch solely made. But are they worth your time ?Continue reading A Very British Affair – Kodak Colorsnap 35 Review
I’ve ended up over the past couple of years reviewing quite a few single use and reloaded disposable class cameras. But they all come with issues. But the camera that started the reloadable disposable thing off finally arrived on my mat, And there’s a good reason why this is one of the most regarded cameras in the class.Continue reading Reloaded And Ready – Lomography Simple Use Camera Review
When the New Yashica announced the MF2, let’s be honest it wasn’t met with much excitement. But they got enough kickstarter backers and actually delivered a camera that works. But is it as good (or should I say mediocre) as the camera it essentially reboots, the Kyocera era Yashica MF2 super? And should you bother with either?Continue reading Rebooted But is it Suited ? – New Yashica MF2 Super v The Old One
So the new Yashica actually just made funding for this MF-2 Super at the last minute. Gone was the heady days of the Y35 retro digital camera launch when the company gathered more than 12 times the funding it required.
But the MF-2 is a different proposition. It’s a true 35mm camera unlike the flimsy reloadable disposable MF-1. I’d argue it is the camera they should have launched with not the Y35. But I’m not sure the world needs it.Continue reading Did we Ask For It ? – Unboxing the New Yashica MF-2 Super
As 2019 draws to a close you don’t need to watch the Eastenders or Gavin & Stacey Christmas special for a festive cliffhanger. Over in Crowdfunding land, a certain Yashica is running out of time to get it’s new 35mm film camera funded. And there’s even been some backer pull out.Continue reading Is The yashica MF-2 a Kickstarter Too Far ?
If Lomography had though they’d covered the niche reloadable disposable market, then 2019 must have given them a bit of rude awakening. First we had the Yashica MF-1 arriving. But now and more threatening is a big name make moving in with Harman (aka Ilford) Technology’s new camera
But is the Harman any good ?Continue reading Reload to Noir-Where – The Harman Reusable Camera
So this is a review of a Kodak camera then ?
Well not quite. This was never sold by Kodak, the name here has just been licenced by Vivitar. Its actually just a Vivitar T201 Lx under the hood a camera that has a cult following. But is that deserved ?Continue reading A VUWS with Flash ? – The Curious Tale of the Kodak KV250
So I must admit i’m a bit of a fan of Minolta’s 110 cameras. If you’ve followed this blog you’ll know I highly rate some of the models in the Pocket Autopak 400 series pretty highly for this class.
So when I got my hands on the top dog of the class I was pretty excited. But it didn’t quite live up to the hype.Continue reading Pocket Dynamite or Dud ? -Minolta pocket Autopak 470 Review