In the late 1990’s Nikon launched 2 new SLR cameras that they thought would be game changers. These were serious kit and offer incredible back and forward lens compatility and can still use Nikon lenses made today and from the 1970’s . But you’ll never find either of these Pronea models on a top 10 Nikon cameras list
That’s because they shoot APS film.
Continue reading The SLR that time would Rather Forget – The Nikon Pronea S ReviewEarlier this year Nons launched one of the more interesting analogue camera Kickstarters that I’ve seen. The SL42 is an interchangeable lens mount SLR that uses Instax instant film. The company have updated backers with some mixed news this week. Which means we’re gonna see this quite soon, with new good features but one major problem.
Continue reading The Future’s Sooo Bright BUT You Gotta Wear Shades – The NONS SL42 UpdateI’d been strangely unsatisfied with the Cresta 3, the third of Kodak UK’s Bakelite Brownies for 120 film. But could its glass lens predecessor be a better choice ? It is but you all need to brace youselves in more ways than one.
Continue reading Brace Yerself – The Kodak Brownie Cresta II ReviewLomography are probably the most prolific current analogue camera makers in the world. Many of their products have cult status. But a few cameras just haven’t cut the mustard and disappear. One of these is this little known number. But this shatters the whole notion that the Lomography Simple Use invented the re-loadable disposable class. And the Lomolitos might just be the better camera.
Continue reading Raiders Of The Lost Lomos – The Lomography Lomolitos ReviewYet another 1980’s plastic bodied lo-fi shooter which was likely made by Haking for Hanimex. Launched in 1986 it is not exactly top flight stuff. But is there enough to appeal to lo-fi shooters ?
Continue reading Jumpin’ Jack No-Flash – Hanimex 35 hs ReviewKodak’s British arm was more than a mere sales outlet for George Eastman’s company. The company made its own cameras, not just British versions of the parent company. The Colorsnap cameras are to my knowledge, the only 35mm cameras the UK branch solely made. But are they worth your time ?
Continue reading A Very British Affair – Kodak Colorsnap 35 ReviewI’ve ended up over the past couple of years reviewing quite a few single use and reloaded disposable class cameras. But they all come with issues. But the camera that started the reloadable disposable thing off finally arrived on my mat, And there’s a good reason why this is one of the most regarded cameras in the class.
Continue reading Reloaded And Ready – Lomography Simple Use Camera ReviewWhen the New Yashica announced the MF2, let’s be honest it wasn’t met with much excitement. But they got enough kickstarter backers and actually delivered a camera that works. But is it as good (or should I say mediocre) as the camera it essentially reboots, the Kyocera era Yashica MF2 super? And should you bother with either?
Continue reading Rebooted But is it Suited ? – New Yashica MF2 Super v The Old OneSo the new Yashica actually just made funding for this MF-2 Super at the last minute. Gone was the heady days of the Y35 retro digital camera launch when the company gathered more than 12 times the funding it required.
But the MF-2 is a different proposition. It’s a true 35mm camera unlike the flimsy reloadable disposable MF-1. I’d argue it is the camera they should have launched with not the Y35. But I’m not sure the world needs it.
Continue reading Did we Ask For It ? – Unboxing the New Yashica MF-2 SuperRicoh developed a bit of a reputation for good SLR bodies and lenses using the M42 & Pentax K Mount. The company still makes K mount dSLR under the Pentax brand. But weirdly their first SLR the Singlex wasn’t developed by them. In fact it is basically a rebranded Nikon. But a Nikon that wasn’t even made by Nikon.
Curious ? Read on.
Continue reading The Ricoh that’s a Nikon made by Mamiya – Welcome to the Ricoh Singlex
