It was during my rush to get my hands on some F2/400 that I bought some rolls of lady Grey and on a recent dive into Boots I picked some more up on a buy one get one half price deal. I’d heard the stuff was marked as and made in USA and was basically Kodak Tmax. But then I stumbled across this Flickr discussion post which rightly pointed out they ain’t made in the states no more but is marked as made in the Czech Republic. Continue reading The lady goes East – The curious tale of Lomography Lady Grey
This is just a broad overview of what seems like it was the most popular non-slr 35mm camera from 1970-1985. I have 5 that are similar with mostly mechanical differences. Continue reading Some Thoughts About 38mm/2.8 Camera – Guest Post by Al Mullen
Lomography have proved the savours of the 110 format and deserve serious Kudos for being the main supplier of 110 film packs. But there might be a wee issue with the backing paper… Continue reading Holy Lomo Moly – The curious case of light spots on Lomography 110 film
Goodness what a year for film 2017 is turning out. A resurgent Kodak kicked things off right at the start with the announcement that Ektachrome will be back by the end of the year. But in March it has been gone a bit Italian with 2 launches of 2 very different films made just 50km from Genoa. Continue reading The Italian Job – A Tale of 2 ‘New’ Films
The Konica Pop was a 35mm camera made from 1982 to 1984 in this form, with changes coming in 1985 and 1988 to optics and flash. It was well selling, it’s compactness and color variations helped it stand out in that era when most manufacturers had smaller automatic 35mm’s in their lineup. Continue reading Konica Pop Review – Guest Review by Al Mullen
Since I published the 2015 but a lot has happened in the world in general and in film. So join me as you polish of the last mince pie and shove the last of the weans’ packaging into the recycling bin Continue reading The Post Brexit annual Film world review – 2016
If you read my original Micro 110 review you’ll know I sounded a bit disappointed. One factor I’d wandered about was the processing. I persevered and shot another cartridge and got it processed by the good folk at Digital Photo Express in Carlisle. The results really made me reappraise the camera as well as processing and Lomography Tiger CN200. Continue reading Halina Micro 110 redux – Processed and reappraised
Purveyors of cheap film Lupus Imaging probably best know for Poundland’s finest Agfaphoto Vista Plus 200 colour negative film but the company also sell APX true B&W film which is argueably the cheapest pre rolled B&W film available in the UK
How does this perform and for the budget shooter does it make cost sense given B&W D&P costs ? Continue reading Agfaphoto APX100 – Canny B&W or not ?
One of the oddities of film in recent years has been the re-birth of the 110 film format.
This quirky easy load camera system has new cameras from the likes of Lomography and Superheadz as well as a massive amount of second hand stuff out there. But should you bother ? Continue reading 110 film – A miniature resurrection ?
I love shooting on 120 cameras and sneakily you can also shoot 35mm on many of them. This allows you to get neat effects like a sprocket shot.
Modern Lo-fi cameras like the Diana F+ and the Holga 120 series have cottoned on to this and actually make 35mm film backs but even with them you can use 35mm film without them Continue reading The Bluffer’s 8 Steps Guide for shooting 35mm in 120 Cameras