This little oddity (here wearing it’s Revue 35FC guise) has become labelled as the Hong Kong Lomo due to its LC-A like styling. Infact both cameras are arguable different takes on the Cosina CX-2 and are very different. The Micro 35 is probably Haking’s best styled compact and certainly is a lot more interesting to look at than some of the brick like beasts of its era. Continue reading Halina Micro 35 Review : Hong Kong not so Phooey
This gorgeously bonkers 35mm compact hails from 1980’s Soviet union but looks like a mix of 60’s & 70’s with its bling gold styling and Olympus Trip-esque selenium meter array. A relative rarity in the west it does make for quite an interesting & useful choice for a point and shooter. Continue reading FED 50 Review: The shape of things that might have been
The Bencini Koroll 24s is not only a cool, vintage 50’s 120 roll film camera but also perhaps the easiest to mod to use 35mm film.
That’s because a 35mm film canister fits snugly and as it’s film plane is flat there are no issues re focus unlike cameras like the Agfa Isoly I or Halina 6-4 Continue reading Modding a Bencini Koroll 24s to shoot 35mm
This quite gorgeous lump of Aluminium hails from 50’s Italy. It’s a pretty basic 120 film camera from the era but has a couple of trump cards to play. It’s first trick is that it’s a half frame (3×4.5cm) camera allowing you to take a whooping 24 shots on a roll of 120 film. Continue reading Bencini Koroll 24s Review : The canny man’s vintage 120 film camera
Film for a quid ?
Nope I kid you not and it’s actually pretty good. Getting film on the UK high street was becoming a bit tricky when all of a sudden Poundland of all folk pull a blinder and sell film. Continue reading Agfa La Vista 200 Baby : The Poundland film Review 1
Okay I suspect the dog and his dinner has blogged about this camera but it feels like a right of passage for a camera blog and what the heck I love it.
This little design classic arrived in the Mid 60’s and set the standard for Point & Shoot (P&S) camera right into the 80s. The classic styling is married to an excellent sharp Zuiko lens and a simple but effective metering system. That meter is driven by the selenium array (the glass bubbly bit) around the lens. This means no batteries ever required.