Lomography have proved the savours of the 110 format and deserve serious Kudos for being the main supplier of 110 film packs. But there might be a wee issue with the backing paper… Continue reading Holy Lomo Moly – The curious case of light spots on Lomography 110 film
Goodness what a year for film 2017 is turning out. A resurgent Kodak kicked things off right at the start with the announcement that Ektachrome will be back by the end of the year. But in March it has been gone a bit Italian with 2 launches of 2 very different films made just 50km from Genoa. Continue reading The Italian Job – A Tale of 2 ‘New’ Films
With the festive period upon us, it is easy to forget that the Canny Photographer’s auction season is about to begin. Once the mince pies foils and empty port bottles head off for recycling, many folk decide now is the time to clear out stuff and the period up to Easter tends to feature a surplus of thing appearing in auctions or second hand sites while many buyers are actually of the game trying to pay off the festive overdraft Continue reading 7 Cult Classics To watch out for in January Auctions
If you like lo-fi photography or want to give it a go at some point you’ll end up with the desire for a plastic lensed beauty. Here’s a list of ten of the best both available new or widely available second hand.
It’s that time of year again and we went off to Skegness to Butlins. We also headed onto the Gem of the Yorkshire Coast, Whitby and like last year some film cameras came along for the ride.
Size and space was important so everything was pretty compact. Last year’s Olympus XA2 was joined by a Lomo LC-A and the poor man’s Lomo, a Vivitar Ultra Wide and Slim (VUWS) clone. But what worked well and did the Olympus redeem itself ?
The terms Lomo and Lomography get banded around and are used interchangeably and mean different things to different people. I’ve had to think about this more recently as I’ve taken over moderating Lomography for non-snobs group on Flickr and have had to make decisions about what is a Lomography shot or not.
A need to trim down my cameras this year saw my Fisheye One go. But did this plastic beast with a 170º angle of view live up to its price tag ?
Lomography’s plastic classic left me strangely disappointed when it arrived. I’d been impressed by its little brother, the Diana Mini, but this seemed a shoddier affair and worryingly idiosyncratic. However a few rolls later and I’m warming to it. Continue reading Diana F+ Review : Or How I Learned to love the Plastic bomb