Too often I have to do a review based on just a couple of rolls. But some cameras hang a round longer and I thought it might be worth revisiting those. We begin with the my Superheadz Wide and Slim, a clone of the Vivitar Wide and Slim (VUWS). This is often seen as one of the best Lo-Fi cameras still made
But does it deserve that ? And why you should by a a Black one ?
Continue reading Filthy Beast – the VUWS/Superheadz Wide and Slim Re-Appraised after 1000+ ShotsLomography’s launch of the Diana F+ in 2007 wasn’t a step forward in lo-fi photography. It represented a hommage to the medium format camera that would lead to the development of that movement – the original Diana camera and its numerous clones. So how does one of these stack up to the 21st century. Continue reading Retro Medium Format Lo-Fi- The Samtoy – an original Diana Clone
It’s a battle to death between these plastic lo-fi miniature beauties for the 110 lo-fi crown. But which one wins and which one is consigned to dust ? Lets load up some expired Konica film and find out as they go head to head. Continue reading Rumble in 110 Plastic Jungle – Lomography Diana Baby 110 v Halina Micro 110
If you like lo-fi photography or want to give it a go at some point you’ll end up with the desire for a plastic lensed beauty. Here’s a list of ten of the best both available new or widely available second hand.
Late in 2015 Holga production ceased. A sad fate for an iconic plastic camera that helped drive the Lo-Fi photography movement and remains much beloved today. Luckily you can still buy ’em brand new.
But how does the 120N (the closest to the original 80’s Holga) fare today and compared to the obvious rival product from Lomography, the Diana F+.
