Not exactly the pinnacle of Ricoh’s output, this little cheap ‘n’ cheerful fixed focus compact actually was surprisingly good despite my review one being half knackered. But it actually still managed a better run than the Olympus AM-100. Continue reading Fixed focus runner – Ricoh YF-20 Review
I’m a bit of a sucker of Olympus’s overlooked fixed focus shooters from the legendary PEN EE to the Supertrip. But how does this 1987 budget number measure up and does it match its predecessors despite newer bells and whistles ? Continue reading Blacksheep Radio – Olympus AM-100 Review
2017 has become one hell of a good year for film. With various artisan launches and the imminent return of Ektachrome., much of the buzz has focused on not just one but 2 films hailing from Ferrania’s plant. What better way to test them out than shooting on a Vintage Ferrania Camera !! Continue reading Ferrania on Ferrania – Ciao Italia !
Think your mighty compact focuses seamless ?
Well think again ! Even high end models focus in a series of zones called focusing steps, Not that most manufacturers let you know. But in 1991, Olympus were only too keen to tell us with the μ[mju:] (aka mju-1 or Stylus) a camera that changed the face of the AF compact market. Continue reading Step Class – The compact AF camera’s hidden secret (or How the mju won the compact war)
Want a step up from a zoom compact but don’t want to commit to a SLR ? Well the Olympus IS-1000 might be for you. Costing hundreds at launch this 1990 bridge camera now can be bought for a tenner or less. But how does it compare to other compacts and modern cameras ?
If you read my 430EX review, you’ll know I’m reasonably impressed with Minolta’s take on point and shoot 110 cameras although there are some faults. Here’s its bigger twin lensed brother the 1979 460T. How did it fare ? Continue reading Double Trouble ? – Minolta Pocket Autopak 460T Review
The premise was simple – offload erm.. generously give away 3 identical cameras I’d manage to get from some joblots. That camera was the dust gathering charity shop plastic everything regular the Halina Panorama. We’ve already heard how Hamish of 35mmc fame and Lucy Wainwright whom is much more at home with the plastic fantastic got on. But our third camera went to Dan James from 35Hunter. Continue reading Three Takes on the Halina Panorama – (3) Dan brings it home and some conclusions
The premise was simple – send the same camera to 3 different shooters. Not being quite able to afford 3 Leica III, 3 bargain bucket cameras headed off. My Halina Panorama challenge got off to an interesting start for our first of 3 shooters Hamish Gill, a mix of the good but mainly the bad. I wasn’t too surprised he didn’t end up being a fan. But how would the Pano fare in the hands of someone more use to the light plastastic? Continue reading Three Takes on the Halina Panorama – (2) Lucy’s Trip
In the last year or 2, I’ve shot a lot of 110 cameras. They have tended though to fall into 3 camps – modern toy shooters with plastic lenses for the lomo crowd, simple 70’s cameras with that classic minox 110 shape or the bonkers high end SLR & rangefinders. The 430E & 430Ex sit in that middle group but with some high end features that raise them above the average. Continue reading One Hand in My Pocket – Minolta Pocket Autopak 430Ex review
Although Vivitar in terms of plastic cameras are best known for the legendary VUWS, they produced several at the turn of the century, some of which have also got a cult following like the PN2011 (commonly seen in Reader’s Digest PN919 guise). But does this live up to its more famous sibling ?
Continue reading Behind the Mask – Reader’s Digest PN919/Vivitar PN2011 Review