As I sit and type this the first Film Camera to bear the Yashica name in over a decade is winging its way to me from Hong Kong. Whether the New MF-1 is any good or more likely not remains to be seen. But the new Yashica are also hinting at 2 new cameras. In the long term a 35mm version of the Yashica-44 TLR but perhaps more imminent is the MF-2. Turns out the MF-2 is based on the 1980’s MF-2 Super a fixed focus flash cam.
In 1987 Concord Camera Corp launched another 110 camera on an unsuspecting American Public under the Le Clic brand. Concord were not unfamiliar with 110 cameras having launched a fair number of low end run of the mill minox style numbers with and without flash under their various brands.
But Le Mini is something very different even more Lo-Fi and with Cult Appeal.
Although Olympus dominated the Half Frame market, they didn’t have a free run. Many a Japanese rival producing their take on the format. But only one is arguably one of the most beautiful cameras ever made. And that camera was the only half frame compact of that era to be copied by the soviets
But what made the Soviets copy her ? And why has it partially usurped my PEN EE-2 from being my favourite half frame ?
Recently I got my grubby hands on the American Windsor and took her to the our local music Festival. Before you get worried that I’ve a Summer run in the Tower coming up, I am of course talking about a Diana Clone called the Windsor Camera.
I loaded it up with the new Kosmo Foto Mono 120. But all did not go to plan thanks to the camera,
This Year’s Poundland Challenge has flung up some excellent high end cameras for erm… a pound (or less). This is not one of them. Any Poundland Challenge always features a few from the lower end of the market. But that does that necessarily mean awful ?
Today’s plastic lo-fi comes courtesy of Concord Camera Corp. Also known as the Vivitar IC 100. It has attracted the tag of being the Poor Guy’s LC-A but is that deserved ?
After a run of not so cheap cameras, I thought I’d better get back to basics with another Poundland challenge 2019 camera. In brief that challenge set out to find what you could buy for a quid and although we’ve had several high end cameras including the MZ-5 SLR, I’d rightly assumed that we’d be faced with several fixed focus plastic numbers.
But this no frill plastic flash camera doesn’t hail from Haking, Hanimex or Concord. This one’s a Minolta and it’s not good.
Usually when I review an SLR I tend to caveat my reviews by pointing out optical performance depends on the Lens glass and don’t focus on that side of things. But with this Ukrainian beast it really is all about the glass in the form of the Helios-81N ( гелиос-81н )50mm 1:2 lens.
But let’s not ignore the camera and we’ll begin there.
The eagle eyed amongst you will have remember as well as the Halina Super-Mini I recently reviewed, I’d also picked up the flash version. But this offers exposure control as well as the built in flash. And Hey it actually is a museum piece !
Been a busy few weeks both photography and in life. I’ve realised the regular update is becoming a a bit irregular and given it’s almost 2 months since I last did one so say farewell to the analogue week and step inside from the rain to the warmth of the Analogue Arms and grab a pint or coffee from the bar as I give you a run down of what I’ve been up to and some other news that’s worth follow
Car boots are often is bit hit and miss for the cheap camera hunter. I’ve scored some great wee finds over the years from my £3 XA, a K1000 for a £5 that I sold on to my mint £2 Espio 120SW. But at times you find nothing but the odd instamatic and true tat. The bank holiday weekend on in Dumfries however flung up a grubby mju zoom 105(aka ∞ Stylus Zoom 105) for two quid that literally worked for one roll and then died.
