Point and Shoot cameras using 120 film
The Isoly series is probably best known for the humble Isoly I, the camera that launched a 1000 Diana clones. But the series also feature a range of other models including the top of the range Isoly III which makes for a rather good 120 P&S
Continue reading Agfa Isoly III Review : 4×4 classic
The Agfa Isoly is perhaps one of the most influencial basic 120 point and shooters there has ever been, setting the scene for the Diana cameras and their more recent re-birth with LSI’s Diana F+. But how does this classic stack up ? Continue reading Agfa Isoly I Review : The camera that launched a 1000 clones
Lomography’s plastic classic left me strangely disappointed when it arrived. I’d been impressed by its little brother, the Diana Mini, but this seemed a shoddier affair and worryingly idiosyncratic. However a few rolls later and I’m warming to it. Continue reading Diana F+ Review : Or How I Learned to love the Plastic bomb
This 120 roll film camera is a bit of an oddity for Haking a company with a TLR (Halina A1) and a smattering of pseudo TLRs (e.g. the Halina Viceroy. But it perhaps serves as model for how Haking cameras were to become in the 35mm age and the styling is more like a 35mm than 120 film camera of the era.
And for a basic 120 film P&S, it is pretty good. Continue reading Halina 6-4 Review: Point and shoot 120 class with Pilkington Glass
This quite gorgeous lump of Aluminium hails from 50’s Italy. It’s a pretty basic 120 film camera from the era but has a couple of trump cards to play. It’s first trick is that it’s a half frame (3×4.5cm) camera allowing you to take a whooping 24 shots on a roll of 120 film. Continue reading Bencini Koroll 24s Review : The canny man’s vintage 120 film camera