Kodak’s British arm was more than a mere sales outlet for George Eastman’s company. The company made its own cameras, not just British versions of the parent company. The Colorsnap cameras are to my knowledge, the only 35mm cameras the UK branch solely made. But are they worth your time ?Continue reading A Very British Affair – Kodak Colorsnap 35 Review
It seems like a distant memory now but back at Christmas there was no 2m social avoidance and lockdown. I was up in Edinburgh for shopping and the Christmas market. I’d taken along my then recent Nikon FE10. But as light dropped mid afternoon I decided to push some film. That film was Kentmere Pan 400.Continue reading Festive Overclocking – Pushing Kentmere Pan 400 to 1600ISO
I’ve ended up over the past couple of years reviewing quite a few single use and reloaded disposable class cameras. But they all come with issues. But the camera that started the reloadable disposable thing off finally arrived on my mat, And there’s a good reason why this is one of the most regarded cameras in the class.Continue reading Reloaded And Ready – Lomography Simple Use Camera Review
Probably the worst timed post I’ve ever done because the world is currently grounded. But unless you’ve been hiding under a rock, you’ll no doubt be aware that flying poses a risk to your camera film thanks to these new airport security scans.
But what about the actual act of travelling by plane ? Those high altitude cosmic rays do have some impact. But it turns not as much as you’d think. Even better with some help I’ve tested that out. So put your trays back and put your seat upright..Continue reading Mile High Fog ? – Does Air Travel Affect Your Film ?
So the new Yashica actually just made funding for this MF-2 Super at the last minute. Gone was the heady days of the Y35 retro digital camera launch when the company gathered more than 12 times the funding it required.
But the MF-2 is a different proposition. It’s a true 35mm camera unlike the flimsy reloadable disposable MF-1. I’d argue it is the camera they should have launched with not the Y35. But I’m not sure the world needs it.Continue reading Did we Ask For It ? – Unboxing the New Yashica MF-2 Super
Ricoh developed a bit of a reputation for good SLR bodies and lenses using the M42 & Pentax K Mount. The company still makes K mount dSLR under the Pentax brand. But weirdly their first SLR the Singlex wasn’t developed by them. In fact it is basically a rebranded Nikon. But a Nikon that wasn’t even made by Nikon.
Curious ? Read on.
As 2019 draws to a close you don’t need to watch the Eastenders or Gavin & Stacey Christmas special for a festive cliffhanger. Over in Crowdfunding land, a certain Yashica is running out of time to get it’s new 35mm film camera funded. And there’s even been some backer pull out.Continue reading Is The yashica MF-2 a Kickstarter Too Far ?
Launched in 1996 few cameras get the goat of some ‘serious’ Nikon users as this and its sibling the FM10. The major sin is they aren’t made by Nikon. Even wikipedia describes both as “not a true member of the Nikon compact F-series SLRs,”. But does that make them bad cameras ?
Of course things are not helped by that lens…
If Lomography had though they’d covered the niche reloadable disposable market, then 2019 must have given them a bit of rude awakening. First we had the Yashica MF-1 arriving. But now and more threatening is a big name make moving in with Harman (aka Ilford) Technology’s new camera
But is the Harman any good ?Continue reading Reload to Noir-Where – The Harman Reusable Camera
I am a muppet.
I got my hands on Yashica’s new film range and I though a child free trip to the Lake District would be perfect to test them out.
Shame I missed the lack of DX code on the films including the 400ISO B&W. I shoved that film into my F75 which defaulted to 100 ISO. Luckily some saints of the lab world came to my rescue.Continue reading Pulling A Fast one – Or How Not to Review The New Yashica B&W Film