The premise was simple – offload erm.. generously give away 3 identical cameras I’d manage to get from some joblots. That camera was the dust gathering charity shop plastic everything regular the Halina Panorama. We’ve already heard how Hamish of 35mmc fame and Lucy Wainwright whom is much more at home with the plastic fantastic got on. But our third camera went to Dan James from 35Hunter. Continue reading Three Takes on the Halina Panorama – (3) Dan brings it home and some conclusions
The premise was simple – send the same camera to 3 different shooters. Not being quite able to afford 3 Leica III, 3 bargain bucket cameras headed off. My Halina Panorama challenge got off to an interesting start for our first of 3 shooters Hamish Gill, a mix of the good but mainly the bad. I wasn’t too surprised he didn’t end up being a fan. But how would the Pano fare in the hands of someone more use to the light plastastic? Continue reading Three Takes on the Halina Panorama – (2) Lucy’s Trip
The Halina Panorama (aka Ansco Pix Panorama) has a bit of weird cult status for such a plastic simple plastic camera and is something you can pick up for a fraction of the cost of some classic plastics like the VUWS. When a few turned in a job lot I decided to have a bit of fun and send them out to some willing victims for their views. First up we have Hamish Gill of 35mmc fame, an unashamed lover of compact cameras but is usually more at home discussing the merits of the likes Yashica and Contax T series.
How would he cope going Lo-fi ? Continue reading Three Takes on the Halina Panorama – (1) Hamish’s Tale
Although Vivitar in terms of plastic cameras are best known for the legendary VUWS, they produced several at the turn of the century, some of which have also got a cult following like the PN2011 (commonly seen in Reader’s Digest PN919 guise). But does this live up to its more famous sibling ?
Continue reading Behind the Mask – Reader’s Digest PN919/Vivitar PN2011 Review
Given my recent trouble with mju’s you might have thought I’d stay clear of Olympus compacts for a bit but then this budget number landed in a job lot and you know it’s not that bad. Continue reading We’re not in Kansas – Olympus OZ-10 Review
Goodness what a year for film 2017 is turning out. A resurgent Kodak kicked things off right at the start with the announcement that Ektachrome will be back by the end of the year. But in March it has been gone a bit Italian with 2 launches of 2 very different films made just 50km from Genoa. Continue reading The Italian Job – A Tale of 2 ‘New’ Films
The Konica Pop was a 35mm camera made from 1982 to 1984 in this form, with changes coming in 1985 and 1988 to optics and flash. It was well selling, it’s compactness and color variations helped it stand out in that era when most manufacturers had smaller automatic 35mm’s in their lineup. Continue reading Konica Pop Review – Guest Review by Al Mullen
This simple fixed focus flash number was actually made by Haking and is based on the Halina Flash 350. But is this rebrand a contender in the toy cam class or just reheated left overs ? I took one for a stroll at dawn one morning to find out. Continue reading Rehash Trash or Class ? – Hanimex 35SE Review
Oh dear ! I had a lot of hope when I started out to test this camera but 3 dud ones later I’m not sure. The mju-I (aka mju, µ[mju] or ∞stylus) was the camera that launched the mju series and would lead to the much sought after mju II (aka Stylus Epic) -one of those prestige fixed focal length compacts that change hands for lots of Dosh. Some feel the much cheaper mju-I is just as good but as we’ll see things didn’t work out for me… Continue reading Prestige and the Duds – The Olympus mju-I nearly reviewed
The Ricoh FF series has a bit of a cache especially around the fixed focus models released in the late 80’s and early 90’s. But how does this (aka Shotmaster AF Super or One Take AF Super) 90’s restyling of the FF-9 work out against the rivals of its day ? Continue reading Rehash Flash – Ricoh FF-9S Review