The LC-A and LC-A+ have certainly carved a niche out for themselves in no small part due to the Lomography movement. The LC-A has become somewhat a marmite camera either loved or hated but has also become quite expensive to buy either as a vintage camera or in its new guise as the LC-A+.
But what alternatives are there that won’t break the balance for a 35mm zone focus, quirky compact ? Continue reading 7 Alternatives to The Lomo LC-A
The terms Lomo and Lomography get banded around and are used interchangeably and mean different things to different people. I’ve had to think about this more recently as I’ve taken over moderating Lomography for non-snobs group on Flickr and have had to make decisions about what is a Lomography shot or not.
Wanna turn your scale focused point and shoot into a rangefinder ? Well an external rangefinder could be for you and good old Lomo produced a decidedly modernist one in the Blik (Блик – meaning ‘Speck of light’).
Continue reading Lomo BLIK review : Speck of Rangefind Light
Soviet manufacturer Lomo is best known these days for the LC-A that arguably launched the whole Lomography movement. But they produced a range of other cameras which have some cachet including the Lubitel series of Twin Lens Reflex Cameras. Infact the Lubitel lives on in manufacture these days with the LSI produced 166+. Now this will set you back almost 300 GBP for which isn’t really an option for the Canny photographer. Luckily you can buy its 1980’s predecessor for much less in working order.
Continue reading Lubitel 166 Universal Review : The Canny Man’s TLR
This little plastic corker was one of the best selling classic soviet Cameras of all time. But why does a plasticky unmetered camera with 1950’s mechanics still deserve a loyal following. The answer is its simplicity and its killer lens. Continue reading Smena 8m Review : Good clean plastic Fun
The Lomo LC-A is usually a bit of a marmite* camera. But stick in some B&W and it becomes a different beast and actually does pretty well.
Continue reading Film Noir with the LC-A : How the Lomo learned to love B&W
